With Newton

这是一张高度超写实的艾萨克·牛顿与图中的人合影的照片,保证图中的人物服装造型和面部特征不变,照片中的艾萨克·牛顿身着 17 世纪的服饰,戴着卷曲的假发,穿着天鹅绒长袍,神情专注地站在一座现代城市街道上(纽约的人行道、霓虹灯招牌、穿着休闲服装的行人)。在牛顿和图中的人物之间有一个苹果漂浮着(图中人物面带微笑,正指向那个苹果),具有电影般的灯光效果,柔和的夕阳余晖,浅景深,逼真的皮肤纹理,精细的布料褶皱,带有轻微虚化的城市背景,兼具欧洲和美国的美学风格

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Keep the facial features of the uploaded figure unchanged, with an elegant, noble and sophisticated retro makeup look: natural facial blurring for delicate, smooth skin, smudged diffused eyeliner, slender curved eyebrows, matte vintage red lipstick, light pink foundation, and defined exaggerated cheekbones – the makeup is exquisitely beautiful. The figure is dressed in a high-end custom elaborate gown crafted from red velvet with luxury diamond and pearl inlays, boasting a designer brand aesthetic of noble elegance, paired with delicate high-grade diamond accessories. Set the scene as an upscale Christmas dinner in a premium VIP venue with a Christmas tree in the background. At the bottom of the frame, place the large artistic typography "Merry Christmas!" with a sparkling golden texture and ultra-luxury playful English floral font; scatter small golden stars, silver snowflake patterns, and the secondary typography "A fashionable Christmas VIP dinner party" around the main text. Adopt a high-end magazine photoshoot style with avant-garde fashion, strong design sense, artistic appeal, retro charm and cinematic texture. Maintain the camera focal length for a close-up shot framing the figure’s upper body, shoot with a large aperture to create a blurred background and bokeh effect for other people. Apply film filters, flash lighting, dreamy soft focus, gentle glow, luminous halation, and Fuji film texture, with a dim light atmosphere. Decorate the four corners and edges of the frame with golden star and silver snowflake patterns.

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Drawing on the facial features, facial proportion, hair styling direction, skin tone and age range of the uploaded avatar (with no emphasis on modern identity traits), the overall temperament is reimagined as that of a noble Victorian lady of the 19th century. The composition frames the figure from the top of the head to just below the chest, with the shot pulled back slightly and the subject occupying a relatively small portion of the frame. The height of the head accounts for approximately a quarter of the total frame height, positioned in the lower-middle area with natural proportions and no stretching or distortion, presenting an elegant and solemn classical portrait composition. She sits in a dignified and upright posture, her head turned gently to the right with her face in a three-quarter view and her chin slightly tucked. Her eyes are almost directly facing the camera, her gaze calm and restrained, reserved and introverted; her expression is solemn yet elegant, her lips naturally closed, and her facial features are distinct with well-proportioned contours. She wears an exquisite Victorian noble wide-brimmed hat that conforms to the aesthetic of European high society in the 19th century, crafted from pieced cream or ivory lace and fabric. The brim is adorned with delicate lace, ribbons and small ornaments, its structure elegantly intricate yet understated. Her hair is styled into a classic feminine coiffure of the same era, with soft, natural strands; a few curled tresses fall beside her temples and cheeks, blending seamlessly with the hat, boasting a delicate texture with a realistic sheen. She is dressed in a historically authentic Victorian court-style gown, featuring a high neckline that fits closely to the neck and a structured corseted bodice. The fabric is selected from silk, lace or brocade, in hues of cream, pale champagne or ivory. The cuffs, neckline and bust are embellished with elaborate lace and decorative details, with a precise cut and rich layering that fully embodies noble bearing. One of her hands is naturally raised near her face or gently resting on her chest, her fingers posed in an elegant and restrained manner. She adorns herself with a pearl ring or classical court-style jewelry, the ornaments understated and exquisite, in perfect harmony with the overall aesthetic. The lighting adopts the style of European classical court portrait painting: the key light shines softly from the upper left of the frame, with the subject’s face and upper body as the visual focal point, while the background is bathed in softer, dimmer light. The light and shadow contrast is clear with delicate gradations, recreating the light and texture of 19th-century academic and court portrait paintings. The background is set as a palace-style interior space, where the outlines of decorated walls, drapery and classical furniture can be faintly seen. The details are rendered in an understated way so as not to distract from the subject, and the background is softly blurred, creating a solemn and elegant aristocratic atmosphere. The entire image fuses ultra-realistic photography with the style of European classical oil painting, boasting a stable composition, ample negative space, rich textures and exquisite details. The low-saturation color palette is imbued with a retro charm, presenting a museum-grade visual effect of a court portrait—elegant, grand and historically authentic. It adheres to a vintage portrait photography style.

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